History Repeating Itself. The function of turning points and continuity in three historical narratives on operetta

  • Mikael Strömberg University of Gothenburg
Keywords: Operetta, historiography, postnarrativity, turning points, continuity

Abstract

The article’s primary aim is to discuss the function of turning points and continuity within historiography. That a historical narrative, produced at a certain time and place, influence the way the historian shapes and develops the argument is problematized by an emphasis on the complex relationship between turning points and continuity as colligatory concepts within an argumentative framework. Aided by a number of examples from three historical narratives on operetta, the article stresses the importance of creating new narratives about the past. Two specific examples from the history of operetta, the birth of the genre and the role of music, are used to illustrate the need to revise not only the use of source material and the narrative strategy used, but also how the argument proposed by the historian gathers strength. The interpretation of turning points and continuity as colligatory concepts illustrate the need to revise earlier historical narratives when trying to counteract the repetitiveness of history.

Author Biography

Mikael Strömberg, University of Gothenburg

Mikael Strömberg is a researcher in performance studies at the University of Gothenburg. He works in the field of research on popular entertainment, entertainment as communication, and Swedish outdoor theatre during the twentieth century.

References

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Kuukkanen, Jouni-Matti. 2015. Postnarrativist philosophy of historiography. New York: Palgrave.

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Published
2018-01-27
How to Cite
Strömberg, M. (2018). History Repeating Itself. The function of turning points and continuity in three historical narratives on operetta. Nordic Theatre Studies, 29(1), 102-116. https://doi.org/10.7146/nts.v29i1.103311