Shaping the In-Between
Curatorial Strategies for Sensory, Emotional, and Intellectual Engagement in Contemporary Exhibition Spaces
Nøgleord:
Curating, In-Between, Structured Serendipity, Mark Wallinger, ExhibitionResumé
This paper explores the “in-between” as a curatable condition within contemporary exhibition making. Through a case study of Mark Wallinger’s The Russian Linesman (2009), it examines how spatial, conceptual, and perceptual thresholds can structure conditions for sensory, emotional, and intellectual engagement within exhibition practice.
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