Touching Skin
A phenomenological discussion of two projects, by artists Anna Walker and Jo Milne, focusing on the skin of the body as the skin of the world
Nøgleord:
Michel Serres, Touch, Death, Sculpture, PhotographyResumé
Our contact with the world exists at the skin’s boundary of the self. But as theorist Donna Haraway asks: “Why should our bodies end at the skin, or include at best other beings encapsulated by skin?” (1985, p. 178). Reflecting on Haraway’s words, Anna Walker analyses the photographic images of her bruised body layered onto the bones of animals: Bruised Ecology (2024); and Jo Milne discusses new artworks, Cytocdysis and Reticularae (2024) that at first glance appear to be flayed skin, oozing and vulnerable after desquamation.
Referencer
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