Billedlig tidslighed
Historiens plasticitet
Nøgleord:
Didi-Huberman, Soulèvements, Anakronisme, Billedtemporalitet, KunsthistorieskrivningResumé
Within the past 15-20 years, the political aspects of image analysis have become increasingly important in Georges Didi-Huberman’s image-anthropological work. His anachronic understanding of the image form part of a politicising philosophy of time and history, which challenges traditional art historiography. This article takes the essay-exhibition Soulèvements (Uprisings) that Didi-Huberman curated in 2016–2017 as a point of departure for trying to bring to light some of the main points in Didi-Huberman’s theoretical understanding of time and history.
Referencer
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Hjemmesider
AOC Analyse Opinion Critique:
https://aoc.media/opinion/2022/05/22/prendre-position-politique-et-prendre-le-temps-de-regarder/ (tilgået 7. juli 2023).
https://aoc.media/opinion/2022/07/03/soulevements-egarements/ (tilgået 7. juli 2023).
https://aoc.media/opinion/2022/07/17/quest-ce-quune-image-de-gauche/ (tilgået 7. juli 2023).
https://aoc.media/opinion/2022/10/17/les-images-et-lhistoire-culturelle/ (tilgået 7. juli 2023).
https://aoc.media/opinion/2022/10/23/faut-il-surencherir/ (tilgået 7. juli 2023).
Soulèvements, Jeu de Paume: https://archive-soulevements.jeudepaume.org/exposition/index.html (tilgået 30. januar 2023).