Algoritmer i kunsten
Et kultursitueret perspektiv på kunstens udvikling med digital teknologi igennem 30 år i Danmark
Nøgleord:
Digital kunst, Algoritmer i Kunsten, algoritm, mediekunsthistorie, kultursitueretResumé
Hvordan kan vi forstå teknologiens rolle i kunstens udvikling – og hvilken betydning har denne forståelse for, hvordan vi historiserer kunsten nu og i fremtiden? Disse spørgsmål danner udgangspunkt for artiklen, der undersøger et kultursitueret perspektiv på kunstens udvikling med digital teknologi. Med afsæt i en empirisk kortlægning af danske kunstpraksisser gennem tre årtier udfordrer artiklen etablerede lineære og teknologideterministiske fortællinger om digital kunst og peger på nye måder at forstå og historisere kunsten – ikke som drevet af teknologisk udvikling alene, men som situeret i kulturelle, sociale og æstetiske kontekster.Referencer
Litteratur
Adorno, Theodor W., og Max Horkheimer: Dialectic of Enlightenment, London, Verso Books, 2016 [1947].
Ag, Tanya Ravn (ed.): Digital Dynamics in Nordic Contemporary Art, Bristol, Intellect Books, 2019.
Ag, Tanya Ravn. “Rethinking Algorithms in Art” in ISEA2025: 30th International Symposium on Electronic Art, Seoul: ISEA International, 2025.
Arns, Inke: “Code as Performative Speech Act” in Artnodes 5, 2005.
Barad, Karen: Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning, Durham, NC, Duke University Press, 2007.
Benjamin, Walter: The Work of Art in the Age of Mechanical Reproduction, J. A. Underwood (trans.), Harlow, Penguin Books, 2008 [1936].
Birch, Thomas, et al.: “Maskinkunst” in Weekendavisen, 29. april 2005.
Boden, Margaret A., og Ernest A. Edmonds: From Fingers to Digits: An Artificial Aesthetic, Cambridge MA, MIT Press, 2019.
Bonde, Lisbeth: “Romantik på Internettet” in Information, 26. november 2001.
Cox, Geoff: Speaking Code: Coding as Aesthetic and Political Expression, Cambridge, MA: MIT Press, 2013.
Cramer, Florian. Words Made Flesh: Code, Culture, Imagination, Rotterdam, Piet Zwart Institute, 2005.
Cubitt, Sean, og Paul Thomas (eds.): Relive: Media Art Histories, Cambridge, MA, MIT Press, 2013.
Dietz, Steve: “Interfacing the Digital” in Museums and the Web 2003: Selected Papers from an International Conference, David Bearman og Jennifer Trant (eds.), Toronto, Archives & Museum Informatics, 2003, pp. 1-13.
Edmonds, Ernest: “Algorithmic Art Machines” in Arts 7, no. 1, 2018, pp. 3-13. https://doi.org/10.3390/arts7010003. Tilgået 7. juni 2025.
Flores, Tatiana, Florencia San Martín, og Charlene Villaseñor Black (eds.): The Routledge Companion to Decolonizing Art History, New York, Routledge, 2023.
Fuller, Matthew. Behind the Blip: Essays on the Culture of Software. New York: Autonomedia, 2003.
Goriunova, Olga, og Alexei Shulgin (eds.): read_me: Software Art & Cultures. Edition 2004, Aarhus, Aarhus University Press, 2004.
Graham, Beryl, og Sarah Cook: Rethinking Curating: Art After New Media, Cambridge, MA, MIT Press, 2010.
Grau, Oliver( ed.): MediaArtHistories, Cambridge, MA, MIT Press, 2007.
Haraway, Donna: “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective” in Feminist Studies 14, no. 3, 1988, pp. 575-599.
Have, Christian. Kunstig intelligens: Kunstens storhed eller fald?, København, Muusmann Forlag, 2023.
Hopfener, Birgit, og Karin Zitzewitz (eds.): “Towards a Multi-Temporal Pluriverse of Art” in 21: Inquiries into Art, History, and the Visual 1, 2024.
Hui, Yuk: Art and Cosmotechnics, Minneapolis, MN, University of Minnesota Press, 2021.
Kanter, David, et al.: “Using AI for the Documentation of Intangible Cultural Heritage,” University of Reading Digital Humanities Hub, 2024. https://research.reading.ac.uk/digitalhumanities/using-ai-for-the-documentation-of-intangible-cultural-heritage/. Tilgået 10. maj 2025.
Karlholm, Dan, og Keith Moxey (eds.): Time in the History of Art: Temporality, Chronology and Anachrony, New York, Routledge, 2018.
Kitchin, Rob: The Data Revolution: Big Data, Open Data, Data Infrastructures and Their Consequences, London, SAGE, 2014.
Lillemose, Jacob, og Nikolaj Recke (eds.): Vi elsker din computer: En antologi om netkunst, København, Det Kongelige Danske Kunstakademis Billedkunstskoler/Billedkunstskolens Forlag, 2008.
Livingston, Isabelle: “Anachronism and Art History” in Time in the History of Art: Temporality, Chronology and Anachrony, Dan Karlholm og Keith Moxey (eds.), New York, Routledge, 2020, pp. 45-62.
Manovich, Lev: The Language of New Media, Cambridge, MA: MIT Press, 2001.
Marcuse, Herbert: One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society, Boston, Beacon Press, 1964.
Parikka, Jussi: A Geology of Media, Minneapolis, MN, University of Minnesota Press, 2015.
Paul, Christiane: Digital Art, 4th ed., London, Thames & Hudson, 2023 [2003].
Pold, Søren. ”Netkunst i en Krisetid” in Artmatter, 27. marts 2020. https://artmatter.dk/journal/netkunst-i-en-krisetid/. Tilgået 5. juni 2025.
Shanken, Edward A.: Art and Electronic Media, London, Phaidon Press, 2009.
Simondon, Gilbert: On the Mode of Existence of Technical Objects Cécile Malaspina og John Rogove (trans.), Minneapolis, MN, University of Minnesota Press, 2017.
Stork, David G.: “How AI Is Expanding Art History,” in Nature, November 21, 2023. https://www.nature.com/articles/d41586-023-03604-3. Tilgået 12. maj 2025.
Verostko, Roman: “Y2K Celebration, 2000 Improvisations” in V&A Explore the Collections, 1999. https://collections.vam.ac.uk/item/O499687/y2k-celebration-2000-improvisations-drawing-roman-verostko/. Tilgået 10. oktober 2025.
Voelker, Emma: “Evolving Applications of AI and VR in Art Conservation, Preservation, and Reconstruction,” Arts Management and Technology Lab, 28. november 2023. https://amt-lab.org/blog/2023/11/evolving-applications-of-ai-and-vr-in-art-conservation-preservation-and-reconstruction. Tilgået 1. november 2025.
Refererede kunstværker
Birgitte Alsted, Vækst (1989)
Birgitte Alsted, Lyst (1990)
Birgitte Alsted, Natterdag (1992)
Else Marie Pade, Syv Cirkler (1958)
Else Marie Pade, Faust Suite (1958–1962)
Henrik Menné, L5 (2021)
Honey Biba Beckerlee, Cu in Circuit (2019)
Ida Kvetny, Lithodendrum (2020)
Illutron, N7331227 (2006)
Jette Gejl Kristensen, Stone Grass Fabric (2000–2004)
Jette Gejl Kristensen, Hyperkinetic Kayak (2009)
Kollision, Yet the Waves Reflect (2006)
Laura Ratschau, Mantra of Things (2017)
Lise Finderup, Vernissage for Beginners (2018)
Mogens Jacobsen, The Entropy Machine (1994)
Mogens Jacobsen, Stedet 3 (1999–2000)
Nanna Debois Buhl, On Thunderclouds (2020)
Niels Bonde, Recovered Files (1993)
Pernille With Madsen, Remote Control (2015)
Recoil Performance Group & Ole Kristensen, Timemap 3 (2009)
Signe Klejs, Teknomorfose (2006)
Sissel Marie Tonn, The Intimate Earthquake Archive (2016–2020)
Sophie Hjerl, Room Service (2018)
Tinne Zenner & Eva la Cour, Near Real Time Reflections (2020)
Thorbjørn Laustsen & Florian Grond, SOL (2004)
Tobias Stenberg & Anders Visti, WUOS (2019)
Vertigo Artist Collective, CHURCHILL (2001–2020)
Vertigo Artist Collective, SKY (2020)
Wang & Söderström, Making Kin (2020)
William Louis Sørensens Den visuelle suppegryde (1996)
