A Counterpart to Solid Walls

On Céline Condorelli’s Curtain Installation Host

Forfattere

Nøgleord:

Curtain, fabric, the white cube, modernity, hospitality

Resumé

Paying heed to the entanglement of the roles of host and guest, this article enquires into the large-scale curtain installation Host by Céline Condorelli at Kunsthal Aarhus (2019-20). The article argues that as Host takes on the role of host by wrapping around a film program and other events, the soft and pliable curtain walls unsettle the role of the white cube and change the conditions of perception in the gallery. With Host as host, visitors are no longer reduced to minds and eyes as per Brian O’Doherty’s characterization, bodies and ears are welcome too. The article further examines the double ontology of Host as both host and guest in the gallery in dialogue with Jacques Derrida’s concept of hospitality.

Forfatterbiografi

Trine Friis Sørensen, Utrecht University

Paying heed to the entanglement of the roles of host and guest, this article enquires into the large-scale curtain installation Host by Céline Condorelli at Kunsthal Aarhus (2019-20). The article argues that as Host takes on the role of host by wrapping around a film program and other events, the soft and pliable curtain walls unsettle the role of the white cube and change the conditions of perception in the gallery. With Host as host, visitors are no longer reduced to minds and eyes as per Brian O’Doherty’s characterization, bodies and ears are welcome too. The article further examines the double ontology of Host as both host and guest in the gallery in dialogue with Jacques Derrida’s concept of hospitality.

Referencer

Ahmed, Sara: On Being Included: Racism and Diversity in Institutional Life, Durham and London, Duke University Press, 2012.

Albers, Anni: “The Pliable Plane: Textiles in Architecture” [1957] in Selected Writings on Design, Brenda Danilowitz (ed.), Hanover and London, Wesleyan University Press, University Press of New England, 2000, pp. 44-51.

Bishop, Claire: “The Perils and Possibilities of Dance in the Museum: Tate, MoMA, and Whitney” in Dance Research Journal, vol. 46, no. 3, 2014, pp. 63-76.

Bryan-Wilson, Julia: Fray: Art and Textile Politics, Chicago, University of Chicago Press, 2017.

Le Corbusier: Les Plans de Paris. 1956-1922, Paris, Les Éditions de Minuit, 1956.

David, Catherine: “Introduction” in documenta X: Short Guide, Ostfildern-Ruit, Cantz Verlag, 1997, pp. 6-13.

Derrida, Jacques and Anne Dufourmantelle: Of Hospitality, Stanford CA, Stanford University Press, 2000.

Derrida, Jacques: “Hospitality, Justice and Responsibility. A Dialogue with Jacques Derrida” in Questioning Ethics. Contemporary Debates in Philosophy, Richard Kearney and Mark Dooley (eds.), London and New York, Routledge, 2002, pp. 65-83.

Douglas, Mary: How Institutions Think, Syracuse, New York, Syracuse University Press, 1986.

Downs, Joseph: “Design for the Machine” in Bulletin of the Pennsylvania Museum, vol. 27, no. 147, 1932, pp. 115-119.

Dumit, Joseph: “Writing the Implosion: Teaching the World One Thing at a Time” in Cultural Anthropology, vol. 29, no. 2, 2014, pp. 344-362.

Filipovic, Elena: “The Global White Cube” in The Biennial Reader. An Anthology on Large-Scale Perennial Exhibitions of Contemporary Art, Elena Filipovic, Marieke Van Hal and Solveig Øvstebø (eds.), Bergen, Bergen Kunsthall and Ostfildern, Hatje Cantz, 2010, pp. 323-345.

Haraway, Donna: “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective” in Feminist Studies, vol. 14, no. 3, autumn 1988, pp. 575-599.

Klonk, Charlotte: Spaces of Experience. Art Gallery Interiors from 1800 to 2000, New Haven and London, Yale University Press, 2009.

Latour, Bruno: We Have Never Been Modern. Cambridge, MA, Harvard University Press, 1993.

Miller, J. Hillis: “The Critic as Host” in Critical Inquiry, vol. 3, no. 3, spring 1977, pp. 439-447.

Nelson, George: Display. Whitney Interiors Library, New York, 1953.

O’Doherty, Brian: Inside the White Cube. The Ideology of the Gallery, Santa Monica, San Francisco, The Lapis Press, 1986.

Rogoff, Irit: “What is a Theorist?” in On Knowledge Production: A Critical Reader in Contemporary Art, Maria Hlavajova, Jill Winder and Binna Choi (eds.), Utrecht, BAK and Frankfurt am Main, Revolver, 2008, pp. 142-159.

Rose, Gillian: “Situating knowledges: positionality, reflexivities and other tactics” in Progress in Human Geography, vol. 21, no. 3, 1997, pp. 305-320.

Sheikh, Simon: “Positively White Cube Revisited” in E-flux Journal, no. 3, February, 2009, pp. 39-41.

Steyerl, Hito: “Is the Museum a Factory?” in E-flux Journal, no. 7, June, 2009, pp. 1-10.

Von Moos, Stanislaus: “From the ‘City for 3 Million Inhabitants’ to the ‘Plan Voisin’” in Le Corbusier in Perspective, Peter Serenyi (ed.), Englewood Cliffs, NJ, Prentice-Hall, 1974, pp. 125-138.

Wigley, Mark: White Walls, Designer Dresses. The Fashioning of Modern Architecture, Cambridge, MA and London, England, The MIT Press, 1995.

Westmoreland, Mark W.: “Interruptions: Derrida and Hospitality” in Kritike – An Online Journal of Philosophy, vol. 2, no. 1, 2008, pp. 1-10.

Web Pages

Condorelli, Céline: https://celinecondorelli.eu/ (accessed 13 June 2024).

Condorelli, Céline: Vært/Host, video interview and exhibition text, 2019, https://kunsthalaarhus.dk/en/Exhibitions/Celine-Condorelli-Host-Vaert (accessed 13 June 2024).

Harper, Douglas: Online Etymology Dictionary, n.d., https://www.etymonline.com/ (accessed 13 June 2024).

Downloads

Publiceret

2025-06-06