At væve er at gå i dialog med en maskine

Interview med Amalie Smith

Forfattere

  • Ane Skovgaard-Preisler Aarhus Universitet
  • Amalie Smith

Nøgleord:

Vævning, digitalitet, kunstig intelligens, kunst og teknologi, Amalie Smith

Resumé

The writer and artist Amalie Smith reflects on her experience with weaving as an artistic practice. Smith had no experience with weaving before she was commissioned to create a digital work of art, but she was fascinated by the complex connections between weaving and digitality and suggested that the commissioned work be a series of tapestries. During the conversation, she describes how the encounter with weaving technology both inspired and challenged her. She explains how weaving provided new perspectives on the digital technologies of today: Through the comparison of weaving and computer technology the material components and principles of the digital could be more easily detected, understood, and conveyed. In the interview, she further describes her experiences of interacting artistically with different technologies and emphasises how she and the technologies interlinked and how they, through this close connection, both influenced and made use of each other. Smith concludes that she is not sure if she will engage with weaving again. Although being an admirer of artists who master a craft, she prefers exploring new materials and practices and is greatly inspired by approaching things as a newcomer.

Forfatterbiografier

Ane Skovgaard-Preisler, Aarhus Universitet

Ane Preisler Skovgaard, postdoc ved Institut for Kommunikation og Kultur, Kunsthistorie på Aarhus Universitet. Hun forsker i tekstilers materialitet og medialitet i relation til historisk kunst og billeder og har herunder tidligere beskæftiget sig med tekstils agens og indflydelse på middelalderens kristne kultur. Fra 2023-2026 er hun involveret i forskningsprojektet Væven som billedgenerator, et forskningssamarbejde mellem Aarhus Universitet og Holstebro Kunstmuseum støttet af Ny Carlsbergfondet.

Amalie Smith

Amalie Smith er en prisvindende forfatter og billedkunstner, uddannet både fra Forfatterskolen i 2009 og, med flere specialiseringer, fra Det Kongelige Danske Kunstakademi mellem 2012 og 2015. Hun har udgivet ni bøger, hvoraf den seneste er Terracotta (2025), og er blevet oversat til syv sprog. Hun har udstillet på prominente kunstinstitutioner, både i Danmark og udlandet, og udført udsmykningsopgaver, senest til Viborg Gymnasium (2024-2025).

Referencer

Bennett, Jane: Vibrant Matter: A Political Ecology of Things, Durham, Duke University Press, 2010.

Braidotti, Rosi: The Posthuman, Cambridge, England, Polity Press, 2013.

Coole, Diana H. og Samantha Frost (eds.): New Materialisms Ontology, Agency, and Politics, Durham, London, Duke University Press, 2010.

Haraway, Donna J.: Simians, Cyborgs, and Women: The Reinvention of Nature, London, Routledge, 1990.

Haraway, Donna J.: Staying with the Trouble: Making Kin in the Chthulucene, Durham, Duke University Press, 2016.

Latour, Bruno: “On Technical Mediation” in Common Knowledge, vol. 3, no. 2, 1994, pp. 29-64.

Latour, Bruno: “On actor-network theory: A few clarifications” in Soziale Welt, vol. 47, no. 4, 1996, pp. 369-381.

Latour, Bruno: Reassembling the Social. An Introduction to Actor-Network-Theory, Oxford, Oxford University Press, 2005.

Lovelace, Augusta Ada: “Notes by A.A.L.” in Taylor’s Scientific Memoirs, vol. III, 1843.

Smith, Amalie: Thread Ripper, København, Gyldendal, 2020.

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Publiceret

2025-06-06