RIO DE JANEIRO
DOI:
https://doi.org/10.7146/ta.v0i48.107090Resumé
The essay discusses the visual characteristics
of Rio de Janeiro trying to understand
the identification of the “cariocas” with
their city as attached to the monumental
staging of urban visuality in the privileged
relation between city and nature. In the
frame of the macro-historical construction
of Rio de Janeiro as an emblem of the
Brazilian nation and as the international
representative postcard of Brazil, the essay
points out another micro-relation between
the inhabitants’ possibility of a visual
dominion of the urban complexity and the
special process of sensual identification
with the city, that has characterised Rio
as the cultural capital.
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