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Katie Mitchells iscenesættelse af Frøken Julie og Alfabet
DOI:
https://doi.org/10.7146/pas.v40i93.159687Nøgleord:
Katie Mitchell, Fröken Julie, Alfabet, Live Cinema, visual dramaturgi, Adaptation, Post-dramatic TheatreResumé
Desire and Resistance: Katie Mitchell’s Staging of Miss Julie and Alphabet This article explores Katie Mitchell’s 2010 staging of Miss Julie at Schaubühne, where she employs live cinema and integrates Inger Christensen’s Alphabet to deconstruct Strindberg’s patriarchal structures. By shifting the focus to Kristine, Mitchell creates a feminist counter-narrative, merging naturalism with postdramatic techniques. The analysis highlights how Mitchell’s hybrid form challenges traditional hierarchies of text and stage, offering a critical dialogue between theatre, literature, and film.Referencer
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Bleeker, Maaike (2004): “Look Who’s Looking! Perspective and the Paradox of Postdramatic Subjectivity”, i Theatre Research International 29.1, s. 29-41. DOI: 10.1017/S0307883303001238.
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Christensen, Inger (1981): Alfabet: Digte, København: Gyldendal.
Cixous, Hélène (2010): “The Laugh of the Medusa”, i Marta Segarra (red.): The Portable Cixous, New York: Columbia University Press, s. 27-39.
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Fowler, Benjamin (red.) (2019): The Theatre of Katie Mitchell, London: Routledge.
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Fowler, Benjamin (2018): “(Re)Mediating the Modernist Novel: Katie Mitchell’s Live Cinema Work”, i Kara Reilly (red.): Contemporary Approaches to Adaptation in Theatre, London: Palgrave Macmillan UK, s. 97-119.
Friis, Elisabeth (2020): “Jeg ser en lighed mellem mig og kartofler: Reproduktivt arbejde i skandinavisk poesi”, i Passage 84, s. 65-76.
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Hutcheon, Linda (2006): A Theory of Adaptation, London: Routledge.
Jefferies, Janis (2011): “‘… Some Trace of Her’: Katie Mitchell’s Waves in Multimedia Performance”, i Women: A Cultural Review 22.4, s. 400-410, DOI: 10.1080/09574042.2011.618674.
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Ledger, Adam J. (2018): “’The Thrill of Doing it Live’: Devising and Performing Katie Mitchell’s International ‘Live Cinema’ Productions”, i Kara Reilly (red.): Contemporary Approaches to Adaptation in Theatre, London: Palgrave Macmillan UK, s. 69-90.
Lease, Bryce (2020): “Interview with Katie Mitchell”, i Contemporary Theatre Review 30.2, s. 253- 259. DOI: 10.1080/10486801.2020.1731488.
Lehmann, Hans-Thies (2006): Postdramatic Theatre, London: Routledge.
Metz, Christian (2016): Impersonal Enunciation, or the Place of Film, New York: Columbia University Press.
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Pearson, Joseph (2016): “Not Theatre, Not Film: Katie Mitchell’s Third Art in the ‘Shadow’”, Schaubühne, 26.
september 2016, https://www.schaubuehne.de/en/blog/not-theatre-not-film-katie-mitchells-third-art-inthe- shadow.html, tilgået 14. november 2025.
Sierz, Aleks (2014): “Fräulein Julie, Barbican Theatre”, https://theartsdesk.com/theatre/fräulein-julie-barbican- theatre, tilgået 29. november 2024.
Strindberg, August (1889): Frøken Julie: Naturalistisk Sørgespil, oversættelse ved Nathalia Larsen, København: I. H. Schubothes Boghandel.
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