Dette er vandet, dette er brønden

Om serialitet, abstraktion og kosmologi i David Lynchs Twin Peaks: The Return

Forfattere

  • Peter Ole Pedersen

DOI:

https://doi.org/10.7146/pas.v33i79.127529

Nøgleord:

serialization, serialisering, tv series, tv-serier, tv, David Lynch

Resumé

The article analyses the newest season of the cult TV series with a focus on seriality and the connection between title sequence, scenario, recurring characters and audiovisual experimentation. It is evident that David Lynch’s newest trip to TV land is a journey into a transformed territory and one that draws heavily on the visual bombardment of avant-garde filmmaking as well as artistic experiments with the expressive possibilities of the medium itself. This is examined through comparison with the Dadaist filmmaker Hans Richter’s early work in film.

Publiceret

2018-07-01

Citation/Eksport

Ole Pedersen, P. . (2018). Dette er vandet, dette er brønden: Om serialitet, abstraktion og kosmologi i David Lynchs Twin Peaks: The Return. Passage - Tidsskrift for Litteratur Og Kritik, 33(79), 77–88. https://doi.org/10.7146/pas.v33i79.127529