Serious games

Harun Farocki og den militære æstetik

  • Anders Engberg-Pedersen
Nøgleord: Harun Farocki, krig, æstetik, simulationer, militarisering

Resumé

Anders Engberg-Pedersen: “Serious games. Harun Farocki and Military
Aesthetics”
This article charts the emergence of a military-aesthetic regime in the twenty-first century. It shows how the US military has co-opted and militarized the field of aesthetics through the development of virtual worlds that train, prepare, and process military engagements. Using the German artist Harun Farocki’s installation Serious Games as a prism for this development, the essay charts the collaborations between military institutions, academics, and the creative industries. The key question is: what happens to the notion of “war experience” in the age of immersive virtual reality technologies? To find plausible answers, the article situates military aesthetics along a historical axis with the emergence of the modern wargame around 1800, and along a theoretical axis by drawing on key thinkers in philosophical aesthetics (Baumgarten, Dewey, Rancière).

Publiceret
2018-12-23
Citation/Eksport
Engberg-Pedersen, A. (2018). Serious games. Passage - Tidsskrift for Litteratur Og Kritik, 33(80), 9-27. https://doi.org/10.7146/pas.v33i80.111719
Sektion
Artikler