Russian Relations

Radical Empathy as a Method for Researching the Migrant Dancer Anna Robenne in Russian Archives

Authors

  • Astrid von Rosen University of Gothenburg
  • Eugenia Klimova
  • Olga Nikolaeva University of Gothenburg

DOI:

https://doi.org/10.7146/nts.v32i2.124350

Keywords:

Archival activism, radical empathy, Anna Robenne, Russian dance history, migration

Abstract

This article explores the unlikely collaboration between a Swedish art and dance historian, a Russian amateur historian, and a Russian-Swedish doctoral student to seek out the early career of migrating dancer Anna Robenne (one of her names). The article looks into the activist ways in which the explorers interacted with Russian, Swedish, and Finnish archives in order to both reveal and make accessible cross-border materials and knowledge pertaining to Robenne. To explore the relationship between the Robenne materials, the archival institutions, and the group of collaborating historians, the authors draw on Caswell and Cifor’s notion of “radical empathy”. The article thus brings new archival theory into the performing arts domain and makes a dance contribution to the broader field of critical archival and heritage studies. To cross borders to account for Robenne’s Russian legacy counters previous historiography’s disinterest in following the careers of non-canonized migrating artists in the Nordic-Baltic region.

References

Bard webpage, http://www.bard.ru.com/php/print_txt.php?id=72.018 (18.1.2020).

Caswell, Michelle and Marika Cifor. 2016. “From Human Rights to Feminist Ethics: Radical Empathy in the Archives.” Archivaria 81 (Spring), 23–43.

Cook, Terry. 2001. “Fashionable Nonsense or Professional Rebirth: Postmodernism and the Practice of Archives.” Archivaria 51, 14–35.

L’émigration russe en France 1919–2000. Moscow: Marina Tsvetaeva’s House-Museum, Nauka, 2010.

Flinn, Andrew. 2011. “Archival Activism: Independent and Community-led Archives, Radical Public History and the Heritage Professions.” InterActions: UCLA Journal of Education and Information Studies 7:2, 1–21.

Garafola, Lynn. 1989. Diaghilev’s Ballets Russes. New York: Oxford: Oxford University Press.

Gilliland, Anne, Sue McKemmish and Andrew Lau (eds.). 2017. Research in the Archival Multiverse. Clayton Victoria: Monash University Publishing.

Hammergren, Lena. 2002. Ballerinor och barfotadansöser: Svensk och internationell danskultur runt 1900. Stockholm: Carlsson.

Hoogland, Rikard (ed.). 2019. I avantgardets skugga: Brytpunkter och kontinuitet i svensk teater kring 1900. Göteborg: LIR skrifter, https://gupea.ub.gu.se/handle/2077/59808 (17.1.2020).

Kino webpage, https://www.kino-teatr.ru/kino/acter/w/empire/300366/works/ (17.1.2020).

Klimova, Eugenia. 2016. Email interview 27.4.2016. Interviewed by Astrid von Rosen. The private archive of Astrid von Rosen.

Klimova, Eugenia. 2018a. Email to Astrid von Rosen 19.4.2018. The private archive of Astrid von Rosen.

Klimova, Eugenia. 2018b. Email to Astrid von Rosen 8.6.2018. The private archive of Astrid von Rosen.

Laakkonen, Johanna. 2009. Canon and Beyond: Edward Fazer and the Imperial Russian Ballet 1908–1910. Helsinki: Finnish Academy of Science and Letters.

Mattsson, Erik. 2017 (ed.). Nordic Theatre Studies Special issue from the research project Turning Points and Continuity: The Changing Roles of Performance in Society 1880–1925, 29:1, https://tidsskrift.dk/nts/issue/view/7154 (16.11.2020).

Morris, Geraldine and Larraine Nicholas (eds.). 2018. Rethinking Dance History: Issues and Methodologies. London: Routledge.

Nikolaeva, Olga. 2018. Email to Astrid von Rosen 7.6.2018. The private archive of Astrid von Rosen.

Roslavleva, Natalia. 1966. Era of The Russian Ballet. London: Victor Gollancz LTD.

Sexton, Anna. 2016. Archival activism and mental health: being participatory, sharing control and building legitimacy. Doctoral Thesis. University College London, http://discovery.ucl.ac.uk/1474368/ (7.2.2020).

von Rosen, Astrid. 2017. “Activating dance records: Conceptualizing research into the Swedish, Nordic and global archives pertaining to the Russian dancer Anna Robenne.” Nordic Theatre Studies 29:1, 117–137, https://tidsskrift.dk/nts/article/view/103312/152355.

von Rosen, Astrid. 2019. “Radikal empati i dansarkivet: Omsorg om den ryska dansaren Anna Robenne”. In Rikard Hoogland (ed.). I avantgardets skugga: Brytpunkter och kontinuitet i svensk teater kring 1900. Göteborg: LIR skrifter, 203–42, https://gupea.ub.gu.se/handle/2077/59808.

Yuriy Sablin webpage, https://en.m.wikipedia.org/wiki/Yuriy_Sablin; https://ru.wikipedia.org/wiki/Саблин,_Юрий_Владимирович (accessed 2020-01-17).

лет ВСЕРАБИСА. Исторический очерк 1919–1924. Москва: Вестник Работников Искусств, 1924.

Амфитеатров-Кадашев, В. 1966. Страницы из дневника, Минувшее. Вып. 20. Москва: СПб.

Вишневский, Вениамин Евгеньевич 1945. Художественные фильмы дореволюционной России. Москва: Госкиноиздат.

Возрождение, том 4, выпуск 1150, 26 июля 1928 — Ревю и Танецъ [статья], автор A. Бундиков.

Вся Москва: адресная и справочная книга на 1915 г., https://dlib.rsl.ru/viewer/01003108166#?page=446 (22.1.2020).

Нижинская, Б. 1999. Ранние воспоминания. Т. 1–2. Москва: Артист. Режиссёр. Театр.

Попов, А. П. 2013. Российские фотографы (1839–1930): словарь-справочник. Коломна.

Рампа и жизнь. Москва: В. Н. Ильнарская, 1917.

Театральная газета. Москва: Э. М. Бескин, 1917, #1–52.

Тихвинская, Л. И. 2005. Повседневная жизнь театральной богемы серебряного века: Кабаре и театр миниатюр в России: 1908–1917. Москва: Молодая гвардия.

Downloads

Published

2021-01-22

How to Cite

von Rosen, A., Klimova, E., & Nikolaeva, O. (2021). Russian Relations: Radical Empathy as a Method for Researching the Migrant Dancer Anna Robenne in Russian Archives. Nordic Theatre Studies, 32(2), 89–105. https://doi.org/10.7146/nts.v32i2.124350

Issue

Section

Articles thematic section