Vol. 27 No. 55-56 (2018)

View Vol. 27 No. 55-56 (2018)

Published: 2018-11-07

Introduction

INTRODUCTION

Jacob Lund, Sven Anders Johansson

5-7
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Articles

CONFLICTS OF GESTURES, CONFLICTS OF IMAGES

Georges Didi-Huberman

8-22
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THE HOBBESIAN TURN

Joseph Margolis

23-40
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THE PROMISE OF THE INDEX IN CONTEMPORARY DOCUMENTARY PERFORMANCE

Solveig Gade

41-64
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ESSAY: THE KUNSTWOLLEN OF THE SCIENTIFIC ERA AND ALOIS RIEGL’S STIMMUNG

Konstantinos Vassiliou

65-81
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HOW TO FRAME EDIBLE ART

Adam Andrzejewski

82-97
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“PLEASE LEAVE A MESSAGE”: THE MEDIA ECOLOGY OF RUBEN ÖSTLUND’S PLAY, FORCE MAJEURE, AND THE SQUARE

John Lynch

98-115
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FAMILY FRAMING AND THE COMEDY OF CONVENTIONS IN RUBEN ÖSTLUND’S FORCE MAJEURE

Roger Edholm

116-133
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CARTESIAN SUBJECTS LOST IN THE ALPS REFLECTIONS ON RUBEN ÖSTLUND’S FORCE MAJEURE

Sven Anders Johansson

134-148
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UNCONTROL ON RUBEN ÖSTLUND’S FORCE MAJEURE

Anders E. Johansson

149-164
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Reviews

REVIEW: ELSE MARIE BUKDAHL, THE RECURRENT ACTUALITY OF THE BAROQUE

Per Aage Brandt

165-171
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REVIEW: JULIA SCHLEIS ET AL., EDS., CONTEMPORARY RUINS / RUINEN DER GEGENWART

Zoltán Somhegyi

172-175
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Contributors

CONTRIBUTORS

176-178
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