A Byzantine Chant Collection From Sicily. A Cοllaboration Between Cοpenhagen and Piana degli Albanesi (Palermo)
DOI:
https://doi.org/10.7146/ks.v7i1.24055Nøgleord:
Byzantine chant, Oral transmission, Sicily, Collections, Ethnomusicology, Critical edition, Monumenta Musicae Byzantinae (MMB)Resumé
The aim of this paper is to give an account of the collaboration between a collector of the Byzantine chant tradition of Piana degli Albanesi (Palermo) in Sicily, namely fr. Bartolomeo Di Salvo, and the editorial board of the Monumenta Musicae Byzantinae, i.e. an institution under the aegis of the University of Copenhagen. Before describing precisely how this collaboration has developed, I will briefly introduce the “Sicilian-Albanian” oral liturgical chant tradition. Among his publications are Oral performances in a (post)-literate society (Lund, 2016), The songs of the roots (forthcoming chapter on Cretan music, University of Vienna), Creative performance in the liturgy: a formulaic melodic language in the Sicilian-Albanian chant tradition (forthcoming, University of Joensuu, Finland), and several articles as chapters of his doctoral thesis.
Downloads
Publiceret
Citation/Eksport
Nummer
Sektion
Licens
Artikler udgivet i Kulturstudier må ikke frit offentliggøres på egne eller institutionelle hjemmesider i deres helhed det første år. I tilfælde af, at den institution man er tilknyttet kræver publicering indenfor systemet, kan man her med fordel angive en kort sammenfatning af artiklen, og så et link til Kulturstudier, hvor artiklen ellers er frit tilgængeligt.