Icebreakers
The Untold Story of Queer Theatre in Post-Soviet Estonia
DOI:
https://doi.org/10.7146/nts.v35i1.145371Keywords:
queer theatre, Estonian theatre, transgressive art, transition culture, cultural trauma, democracyAbstract
The Singing Revolution which led to the restoration of Estonian independence in 1991, was accompanied by a cultural ‘sexual revolution’. After the cessation of theatre censorship in 1988, cultural influences in repertoire shifted from East to West, allowing for the exploration of once-taboo subjects like gender and sexuality. This fostered modern queer theatre, that embraces LGBTQ+ themes, characters, and aesthetics. Estonian queer theatre quickly evolved from portraying dandy figures and gay heroes to transgender and drag characters. It embraced various styles from psychological realism to documentary, devised, and physical theatre.
This paper explores queer elements within Estonian theatre, set against the backdrop of Western queer theatre history. It focuses on the last decades, examining how queer theatre functioned as a litmus test of democracy and challenged post-Soviet norms from a cultural research perspective. Grounded in basic research of stage messages and media reception, it reflects societal attitudes and the trauma of social change. Throughout the history of Estonian theatre, queer themes have appeared in over a hundred productions, resonating in more than five hundred reviews and attracting an estimated one million theatre visits in a country of 1.3 million. This article marks the first mapping of Estonian queer theatre.
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