SCAN-AESTHETICS – Aesthetic strategies in Scandinavian and Nordic-Baltic independent theatre and performing arts: 1960-2010

An Introduction

Authors

  • Knut Ove Artnzen
  • Anna Blekastad Watson

DOI:

https://doi.org/10.7146/nts.v33i1.131988

Keywords:

Introduction

References

Arntzen, Knut Ove. 1980. Gruppeteater og skuespillerkunst. Mag. art. dissertation. Bergen: University of Bergen.

Arntzen, Knut Ove, Birkeland, Sven Åge. 1990. ”Fra Visual performance til prosjektteater i Skandinavia/From Visual Performance to Project-Theatre in Scandinavia”. English translation: Neil Fulton. Katalog volume 1-1990. Oslo: Spillerom.

Arntzen, Knut Ove. 1995. “Hybrid and Cultural Identity – After the Mainstream. Arctic Theatre from Scandinavia in a PostMainstream Perspective”. Nordic Theatre Studies. Volume 7. Kacke Götrick, ed. Gideå: Nordiska Teaterforskare. 69-75.

Arntzen, K. O. 2010. “An historical outline of dance in Norway”. Independent performing arts in Norway”. Oslo: The Norwegian Association for Performing Arts (NAPA). 118-147. Brauneck, Manfred. ed. 2016. Das Freie Theater im Europa der Gegenwart: Strukturen - Ästhetik – Kulturpolitik. Bielefeld: Transcript Verlag.

Buresund, Inger, Gran Anne-Britt. eds. 1996. Frie grupper og Black Box Teater 1970-1995. Oslo: Ad Notam Gyldendal.

Christoffersen, Erik Exe. 2012. Odin Teatret. Et dansk verdensteater. Aarhus: Aarhus Universitetsforlag.

Christoffersen, Erik Exe, Winkelhorn, Kathrine. eds. 2015. Skønhedens hotel. Hotel Pro Forma. Et laboratorium for scenekunst. Aarhus: Aarhus Universitetsforlag.

Ferdsskriveren. 2003. Risiko og Løft. Birkeland, Sven Åge, Nerland Marie. eds. Bergen: BIT Teatergarasjen.

Fools 25. 2004. 25 års teater, dans og performance med Københavns internationale teater, Lene Thiesen. ed. København: Schønberg.

Forser, Thomas, Heed, Sven Åke. 2007. Ny svensk teaterhistoria volume 3: 1900-talets teater. Möklinta: Gidlunds förlag.

Fjeldstad, Anton et.al. 1981. Gruppeteater i Norden. København: Samlerens Forlag A/S. Gruppeteater i Norden. En Hvidbog. 1972. Eugenio Barba. ed. Teatrets Teori og Teknik nr. 17. Holstebro: Odin Teatrets Forlag.

Grenland Friteater. 1990. Et norsk gruppeteater. Materialer. Refleksjoner. Erfaringer. 1976-1989. Tor Arne Ursin, Lars Vik. Eds. Porsgrunn: Friteatrets Forlag.

Lehmann, Hans-Thies. 1999. Postdramatisches Theater. Frankfurt am Main: Verlag der Autoren.

Performance Art by Baktruppen. 2009. Knut Ove Arntzen, Camilla Eeg-Tverbakk. eds. Oslo: Kontur Publishing.

Ringby, Per. 1995. Avantgardeteater och modernitet. Pistolteatern och det svenska teaterlivet från 1950-tal till 60-tal. Gideå.: Vildros.

Salter, Chris. 2010. Entangled: Technology and the transformation of performance. Cambridge (MA): MIT Press.

Vedel, Karen, Hoppu, Petri. eds. 2014. Nordic dance spaces: Practicing and imagining a region. The Nordic experience. Volume 4. Farnham: Ashgate.

Vestergaard Pedersen, Henrik. ed. 2001, 2006. PerformancePositioner. Mellem BilledTeater og PerformanceKunst. Gråsten: Drama.

Watson, Anna. 2018. De politiske gruppeteatrene i Norge – Estetisk-politiske virkemidler og kollektive praksiser hos: Svartkatten, Pendlerne, Hålogaland Teater, Perleporten og Tramteateret. Ph.D Thesis. Bergen: University of Bergen.

Coverphoto shows the actress Eva Vium sitting in front of the villa where the immersive production “Salò”, The 120 days of Sodom based on Pier Paolo Pasolini, by Danish director Signa, took place outside. Copenhagen in 2010.

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Published

2022-03-12

How to Cite

Artnzen , K. O. ., & Watson, A. B. . (2022). SCAN-AESTHETICS – Aesthetic strategies in Scandinavian and Nordic-Baltic independent theatre and performing arts: 1960-2010: An Introduction. Nordic Theatre Studies, 33(1), 2–10. https://doi.org/10.7146/nts.v33i1.131988

Issue

Vol. 33 No. 1 (2021): SCAN-AESTHETICS: Aesthetic strategies in Scandinavian and Nordic-Baltic independent theatre and performing arts: 1960-2010

Section

Editorial

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