Who Are ‘We’ in a Nuclear Disaster?

The Politics of Eco-performance in Late 1970’s Sweden

Authors

  • Erik Mattsson Dansmuseet Stockholm

DOI:

https://doi.org/10.7146/nts.v32i1.120409

Keywords:

Eco-performance, Independent theatre, Sweden, 1970's, Politics, Collective identities

Abstract

This article explores a major but largely forgotten event at the intersection of the environmental movement and the movement of independent theatre groups in Sweden. Eko-positivet, a ritualistic mass-performance about nuclear power, was performed in Stockholm in May 1977 by 300-400 participants in front of around 4 000 spectators. In contrast to the discourse on class that dominated the political theatre of the time, the mass-spectacle enacted other kinds of collective, political identities, e.g. populist and biological ones. The established independent theatre groups did not participate in the event. In the article, it is argued that this reluctance can be explained by conflicting views on the political ‘we’.

Author Biography

Erik Mattsson, Dansmuseet Stockholm

Erik Mattsson, PhD, Curator at Dansmuseet, Stockholm. He is currently leading a jubilee project dedicated to Ballets Suédois, which will result in a book and an exhibition (fall 2020). His most recent publications include a chapter on Strindberg’s Gustav Vasa and nationalism (co-written with Egil Törnqvist) in Reconsidering National Plays in Europe (Palgrave Macmillan 2018). He was vice-president of the Association of Nordic Theatre Scholars 2010–2016 and edited Nordic Theatre Studies 29.1 2017 (“Turning Points and Continuity: Reformulating questions to the archives”).

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Published

2020-05-31

How to Cite

Mattsson, E. (2020). Who Are ‘We’ in a Nuclear Disaster? The Politics of Eco-performance in Late 1970’s Sweden. Nordic Theatre Studies, 32(1), 82–98. https://doi.org/10.7146/nts.v32i1.120409

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Section

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