Screenshots as data and documentation
DOI:
https://doi.org/10.7146/journalistica.v19i1.152426Keywords:
screenshotting, qualitative research, interfaces, digital media, archivingAbstract
Journalistica: The Methods Section
In this section, Journalistica puts a spotlight on research methods used in journalism studies and/or journalism practice.
References
Aegidius, A. L., & Andersen, M. M. T. (2024). Collecting streaming services. Convergence, 30(5), 1665–1684. https://doi.org/10.1177/13548565241253906
Andersen, M. M. T. (2024). Showcasing reality content on the front page: Comparing four services on the Danish video streaming market. Critical Studies in Television, 17496020241259734. https://doi.org/10.1177/17496020241259734
Bruun, H., & Bille, B. K. (2022). Television documentaries as spearheads in public service television: Comparing scheduling practices on the linear channels and video-on-demand services of Danish TV 2 and DR. Nordicom Review, 43(1), 79–93. https://doi.org/10.2478/nor-2022-0005
Caple, H. (2019). “Lucy says today she is a Labordoodle”: How the dogs-of-Instagram reveal voter preferences. Social Semiotics, 29(4), 427–447. https://doi.org/10.1080/10350330.2018.1443582
Clark-Gordon, C. V., Workman, K. E., & Linvill, D. L. (2017). College Students and Yik Yak: An Exploratory Mixed-Methods Study. Social Media + Society, 3(2), 2056305117715696. https://doi.org/10.1177/2056305117715696
Cramer, E. M., Jenkins, B. M., & Sang, Y. (2023). What’s behind that screenshot? Digital windows and capturing data on screen. Convergence, 29(2), 467–480. https://doi.org/10.1177/13548565221089211
DeCook, J. R. (2018). Memes and symbolic violence: #proudboys and the use of memes for propaganda and the construction of collective identity. Learning, Media and Technology, 43(4), 485–504. https://doi.org/10.1080/17439884.2018.1544149
Distelmeyer, J. (2023). A Case for Interface Studies: From Screenshots to Desktop / Screen Films. In W. Gerling, S. Möring, & M. De Mutiis (Eds.), Screen Images. In-Game Photography, Screenshots, Screencast (pp. 317–331). Kulturverlag Kadmos Berlin. https://doi.org/10.55309/c3ie61k5
Eklund, O. (2022). Custom thumbnails: The changing face of personalisation strategies on Netflix. Convergence, 28(3), 737–760. https://doi.org/10.1177/13548565211064520
Flore, J. (2024). (Dis)assembling mental health through apps: The sociomaterialities of young adults’ experiences. Media International Australia, 192(1), 3–20. https://doi.org/10.1177/1329878X221114486
Hesmondhalgh, D., & Lotz, A. D. (2020). Video Screen Interfaces as New Sites of Media Circulation Power. International Journal of Communication, 14, 386–409.
Johnson, C. (2017, July). Beyond catch-up: VoD interfaces, ITV Hub and the repositioning of television online. Critical Studies in Television, Volume 12(2), 121–138.
Johnson, C. (2019). Online TV. Routledge. https://doi.org/10.4324/9781315396828
Judy Kamalodeen, V., & Jameson-Charles, M. (2016). A Mixed Methods Research Approach to Exploring Teacher Participation in an Online Social Networking Website. International Journal of Qualitative Methods, 15(1), 1609406915624578. https://doi.org/10.1177/1609406915624578
Kelly, J. (2022). “This Title Is No Longer Available”: Preserving Television in the Streaming Age. Television & New Media, 23(1), 3–21. https://doi.org/10.1177/1527476420928480
Kneese, T. (2022). Breakdown as Method: Screenshots for Dying Worlds. Media Theory, 5(2), 142–166. https://shs.hal.science/halshs-03815763
Lassen, J. M. (2023). The reappropriation of time in television: How traditional qualities of broadcast media are being adopted by their video-on-demand services. Nordicom Review, 44(2), 217–234. https://sciendo.com/article/10.2478/nor-2023-0012
Laursen, D., Brügger, N., & Sandvik, K. (2017). Metoder til indsamling af internetmateriale og deres effekt på senere analyser—Med Facebook som eksempel. In K. Drotner & S. M. Iversen (Eds.), Digitale Metoder: At skabe, analysere og dele data (pp. 31–49). Samfundslitteratur.
Markham, A. (2020). Doing digital ethnography in the digital age. https://doi.org/10.31235/osf.io/hqm4g
Ørmen, J., & Thorhauge, A. M. (2015). Smartphone log data in a qualitative perspective. Mobile Media & Communication, 3(3), 335–350. https://doi.org/10.1177/2050157914565845
Pajkovic, N. (2022). Algorithms and taste-making: Exposing the Netflix Recommender System’s operational logics. Convergence, 28(1), 214–235. https://doi.org/10.1177/13548565211014464
Schreiber, M. (2017). Showing/Sharing: Analysing Visual Communication from a Praxeological Perspective. Media and Communication, 5(4), 37–50. https://doi.org/10.17645/mac.v5i4.1075
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Julie Münter Lassen
This work is licensed under a Creative Commons Attribution 4.0 International License.
Forfattere, der publicerer deres værker via dette tidsskrift, accepterer følgende vilkår:
- Forfattere bevarer deres ophavsret og giver tidsskriftet ret til første publicering, samtidigt med at værket er omfattet af en Creative Commons Attribution-licens, der giver andre ret til at dele værket med en anerkendelse af værkets forfatter og første publicering i nærværende tidsskrift.
- Forfattere kan indgå flere separate kontraktlige aftaler om ikke-eksklusiv distribution af tidsskriftets publicerede version af værket (f.eks. sende det til et institutionslager eller udgive det i en bog), med en anerkendelse af værkets første publicering i nærværende tidsskrift.
- Forfattere har ret til og opfordres til at publicere deres værker online (f.eks. i institutionslagre eller på deres websted) forud for og under manuskriptprocessen, da dette kan føre til produktive udvekslinger, samt tidligere og større citater fra publicerede værker (se The Effect of Open Access).
