Rupturas e Continuidades na Produção Cultural Brasileira: Introdução

Article Sidebar

PDF
Published: Dec 29, 2024
Keywords:
Brasil, produção cultural, centennario, Semana de Arte Moderna, virada decolonial, REBRAC

Main Article Content

Stephanie Dennison
Tori Holmes
Queen's University Belfast
Sara Brandellero
Leiden University

Abstract

Introduction to the Special Issue.


Rupturas e Continuidades na Produção Cultural Brasileira: Introdução.

Article Details

How to Cite
Dennison, S., Holmes, T., & Brandellero, S. (2024). Rupturas e Continuidades na Produção Cultural Brasileira: Introdução. Brasiliana: Journal for Brazilian Studies, 13(2), 1–9. Retrieved from https://tidsskrift.dk/bras/article/view/152464
Issue
Vol. 13 No. 2 (2024): Ruptures and Continuities in Brazilian Cultural Production
Section
Dossier

http://ojs.statsbiblioteket.dk/public/site/images/admin/nef_88_88

Articles published in Brasiliana are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

When publishing open access, the author signs an author publishing agreement in which they retain copyright and give Brasiliana the right to publish the article. Our Open Access publications are distributed under the terms of the Creative Commons Attribution 4.0 International License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.

Author Biographies

Tori Holmes, Queen's University Belfast

Tori Holmes is Senior Lecturer in Brazilian Studies at Queen's University Belfast and one of the founders and coordinators of REBRAC. Her research focuses on socially and politically engaged uses of the internet and digital technologies in Brazil. She also works on contemporary Brazilian documentary and audiovisual production, especially, but not only, as it intersects with digital culture.

Sara Brandellero, Leiden University

Dr Sara Brandellero is University Lecturer in Brazilian Literature and Culture at Leiden University, in the Netherlands. Her research has entailed work on 20th- and 21st-century Brazilian literature, film and culture as well as transnational projects on cultural exchanges between Latin America, Africa and Europe. Projects and publications have included work on experiences and narratives of mobility, migration and diasporas, including diasporic communities of African and Brazilian heritage in Europe; the urban night and public spaces in relation to heritage, belonging, well-being and social justice; politics of literature and film in democratic and non-democratic contexts. From 2025, she will lead the Horizon Europe collaborative project #DemocracyinAction: Grassroots Culture, Arts and Cultural Spaces for Political Participation and Expression Online and Offline in a Resilient Europe, which involves research focus and collaboration with Brazil, in comparative frameworks. 

References

Paiva, A. S. (2022). A Virada Decolonial na Arte Brasileira. Bauru: Mireveja.

Pardo, C. V. (2024). “Diplomacia e cultura na internacionalização do Brasil. O caso do Instituto Guimarães Rosa”, apresentação feita no VI Congresso Internacional da REBRAC, Universidade de Leiden (18-20 de abril, 2024).

Simioni, A. P. C. (2022). Mulheres modernistas: estratégias de consagração da arte brasileira. São Paulo: Edusp.

Wisnik, J. M. (2022). “Semana de 22 ainda diz muito sobre a grandeza e a barbárie do Brasil de hoje”, Folha de S. Paulo, 12 Fevereiro.