IGEN OG IGEN OM HISTORIENS EVINDELIGE GENKOMST

Forfattere

  • MADS DAUGBJERG LEKTOR, PH.D-PROGRAMLEDER INSTITUT FOR KULTUR OG SAMFUND - ANTROPOLOGI AARHUSUNIVERSITET

Nøgleord:

Reenactmen, historiebrug, populærkultur, oplevelsesøkonomi, autenticitet

Resumé

Anmeldelse af: Tove Kruse & Anette Warring (red.)
Fortider tur/retur. Reenactment og historiebrug
(Samfundslitteratur, 2015)

Referencer

Andreassen, Rikke & Anne Folke Henningsen: Menneskeudstilling: Fremvisninger af eksotiske mennesker i Zoologisk Have og Tivoli, København: Tiderne Skifter, 2011.

Apel, Dora: ‘Violence and Historical Reenactment: From the American Civil War to the Moore’s Ford Lynching’, Jürgen Martschukat og Silvan Niedermeier (red.): Violence and Visibility in Modern History, London: Palgrave Macmillan, 2013, 241-261.

Ashton, Paul & Paula Hamilton: History at the Crossroads. Australians and the Past, Sydney: Halstead Press, 2010.

Auslander, Mark: ‘‘Holding on to Those Who Can't be Held’: Reenacting a Lynching at Moore’s Ford, Georgia’, Southern Spaces, 2010, http://southernspaces.org/2010/holding-those-who-cant-be-held-reenacting-lynching-moores-ford-georgia

Collingwood, Robin George: ‘History as Re-enactment of Past Experience’, The Idea of History, Oxford: Oxford University Press, 1936.

Correia, Alice: ‘Interpreting Jeremy Deller’s The Battle of Orgreave’, Visual Culture in Britain 7(2), 2006, 93-112.

Daugbjerg, Mads: ‘Patchworking the past: materiality, touch, and the assembling of ‘experience’ in American Civil War reenactment’, The International Journal of Heritage Studies 20(7-8), 2014, 724-741.

Dean, David: ‘Museums as conflict zones: the Canadian War Museum and Bomber Command’, Museum and Society 7(1), 2009, 1-15.

de Groot, Jerome: ‘Historical Reenactment’, Consuming History. Historians and heritage in contemporary popular culture, London: Routledge, 2009, 105-123.

Hammer, Dean: ‘Roman Spectacle Entertainments and the Technology of Reality’, Arethusa 43(1), 2010, 63-86.

Kitamura, Katie: ‘’Re-creating Chaos’: Jeremy Deller’s The Battle of Orgreave’, Ian McCalman & Paul A. Pickering (red.), Historical Reenactment. From Realism to the Affective Turn, Houndmills, Basingstoke: Palgrave Macmillan, 2010, 39-49.

Magelssen, Scott: Simming. Participatory Performance and the Making of Meaning, Ann Arbor: University of Michigan Press, 2014.

Merleau-Ponty, Maurice: Kroppens fænomenologi, København: Det Lille Forlag, 1997.

Rosenzweig, Roy og David Thelen: The Presence of the Past. Popular Uses of History in American Life, New York: Columbia University Press, 1998.

Rydell, Robert W. og Rob Kroes: Buffalo Bill in Bologna. The Americanization of the World, 1869-1922, Chicago, The University of Chicago Press, 2005.

Schneider, Rebecca: Performing Remains. Art and war in times of theatrical reenactment, London: Routledge, 2011.

Thompson, Jenny: Wargames. Inside the World of 20th Century War Reenactors, Washington, D.C.: Smithsonian Books, 2004.

Downloads

Publiceret

2016-09-13

Citation/Eksport

DAUGBJERG, M. (2016). IGEN OG IGEN OM HISTORIENS EVINDELIGE GENKOMST. Temp - Tidsskrift for Historie, 6(12), 209–219. Hentet fra https://tidsskrift.dk/temp/article/view/24121