‘Vivimos rodeados de ruinas que no entendemos’
la estética analógica, memoria y experimentación en entrevista con el escritor Matías Celedón
DOI:
https://doi.org/10.7146/dl.v31i.134525Keywords:
Matías Celedón, Analogue aesthetics, memory, narrative, experimentation, independent publishersAbstract
In 2012, the Chilean writer Matías Celedón publishes the work La filial, a book-object conditioned by the precariousness and economic circumstances of his time, but also the analogue materiality of the stamp he uses to write it. At a time when the paper book seemed doomed to obsolescence, Celedón responds with anguish at the possible disappearance of archived memory and with reflective nostalgia (Boym 2001) towards obsolete technologies and found objects. This interview with the writer explores his narrative, the analogue aesthetic, the importance of memory and the role of independent publishers in the commitment to experimentation.
References
Amaro, Lorena. 2017. “Los nuevos ‘raros’ latinoamericanos.” Quimera. Dossier: nueva literatura latinoamericana 403: 31-32.
Boym, Svetlana. 2001. The Future of Nostalgia. New York: Basic Books.
Boym, Svetlana. 2012. La filial. Santiago de Chile: Alquimia.
Boym, Svetlana. 2014. Buscanidos. Santiago de Chile: Hueders.
Boym, Svetlana. 2018. El Clan Braniff. Santiago de Chile: Hueders.
Boym, Svetlana. 2020. “Fragmentos y materiales.” Mapocho. Revista de humanidades 88: 370-380.
Celedón, Matías. 2007. Trama y urdimbre. Santiago de Chile: Random House Mondadori.
García, Javier. 2019. “Los libros de la furia: 10 editoriales independientes de Chile.” La tercera, 20 de diciembre, consultado el 5 de mayo de 2021, .
Habermas, Jürgen. 1998. Identidades nacionales y postnacionales. Madrid: Tecnos.
Locane, Jorge. 2019. De la literatura latinoamericana a la literatura (latinoamericana) mundial. Condiciones materiales, procesos y actores. Berlin/Boston: De Gruyter.
Marks, Laura U. 2002. Touch. Sensuous Theory and Multisensory Media. Minneapolis: University of Minnesota Press.
Mora, Vicente Luis. 2022. “La erosión digital como problema para la lectura crítica de literatura contemporánea.” Álabe 26: 1-13.
Olsen, Tillie. 2022. Silencios. Barcelona: Las afueras.
Premat, Julio. 2020. “¿Otros tiempos, otras formas? Encrucijadas de la literatura contemporánea.” Mapocho. Revista de humanidades 88: 34-48.
Reynolds, S. 2011. Retromania. Pop Culture’s Addiction to Its Own Past. New York: Faber & Faber.
van der Heijden, Tim. 2015. “Technostalgia of the present: From technologies of memory to a memory of technologies.” Necsus. European Journal of Media Studies 4 (2): 103-121.
Willem, Bieke. 2013. “Desarraigo y nostalgia. El motivo de la vuelta a casa en tres novelas chilenas recientes.” Iberoamericana 13 (51): 139-157.
Downloads
Published
Versions
- 2022-12-20 (4)
- 2022-12-20 (3)
- 2022-12-20 (2)
- 2022-12-19 (1)
How to Cite
Issue
Section
License
Counting from volume 31 (2022), articles published in Diálogos Latinoamericanos are licensed under CC-BY 4.0. Read more about the license terms here https://creativecommons.org/licenses/by/4.0/.
No Creative Commons license applied on volumes 1-30. All rights reserved by the authors. Readers may download, read, and link to the articles, but they cannot republish the articles.
With the publication of volume 31 (2022), authors retain the full copyright to their articles and give Diálogos Latinoamericanos the right to the first publication. Authors also retain copyright to earlier versions of manuscripts, such as the submitted (pre-print) and the accepted manuscript (post-print).
Copyright to articles published in volumes 1-30 is held by the authors.
