‘Vivimos rodeados de ruinas que no entendemos’
la estética analógica, memoria y experimentación en entrevista con el escritor Matías Celedón
DOI:
https://doi.org/10.7146/dl.v31i.134525Keywords:
Matías Celedón, Analogue aesthetics, memory, narrative, experimentation, independent publishersAbstract
In 2012, the Chilean writer Matías Celedón publishes the work La filial, a book-object conditioned by the precariousness and economic circumstances of his time, but also the analogue materiality of the stamp he uses to write it. At a time when the paper book seemed doomed to obsolescence, Celedón responds with anguish at the possible disappearance of archived memory and with reflective nostalgia (Boym 2001) towards obsolete technologies and found objects. This interview with the writer explores his narrative, the analogue aesthetic, the importance of memory and the role of independent publishers in the commitment to experimentation.
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