Announcements

CfP: Affect, Social Media, Politics

2017-11-01

Deadline for submission: 28 Feburary 2018

In prolongation of Affect and Social Media #3 /Conjunctions: Transdisciplinary Journal of Cultural Participation /welcomes proposals that  interpret and explore affective and emotional encounters with social media and the ways in which the interfaces of social media in return modulate affectivity. Fake news have come to be a highly debated framework to understand the consequences of the entanglements of affect, politics and social media. But theories on fake news often fail to grasp the consequences and significance of social media content that are not necessarily fake, but are merely intended to affectively intensify certain political positions.

It is in this context that it becomes crucial to understand the role of affect in relation to the ways in which social media interfaces function, how affective relations are altered on social media and not least how politics is transformed in the attempt to capitalize on the affective relations and intensities potentially fostered on social media.

This special issue invites empirical, theoretical and practical contributions that focus on recent (political) media events - such as Brexit, the US and French elections and the refugee crisis - and how these unfolded on, and are informed by, social media. Proposals might, for instance, address how the Trump campaign allows us to develop a new understanding of the relationship between social media and politics. As such the issue seeks papers that develop new understandings of affective politics and take into account shared experiences, affective intensities, emotional engagements and new entanglements with social media.

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Current Issue

Vol 5 No 1 (2018): Community and Creative Research. Developing Participatory Methodologies
Published: 2018-05-24
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The journal seeks to create an international and transdisciplinary forum for the investigation of user-generated production and user-driven cultural participation across a variety of social fields and participatory platforms, e.g. urban spaces, aesthetic co-productions and online environments. The overall focus is to explore the socially transformative and democratic potential of cultural participation processes, to qualify the academic understanding of what ‘cultural participation’ is and what it involves, and to discuss the complex relations created between user-generated material and established institutions. We invite submissions from a variety of disciplinary fields such as cultural studies, media studies, cultural geography, aesthetics, science and technology studies, health care, information science, sociology, anthropology, and gender studies.