Behind the Mask

Counternarratives in John Møller's Photographs from Greenland, 1889-1922

Forfattere

  • Nanna V. H. Emtoft Saxo-Instituttet

DOI:

https://doi.org/10.7146/chku.v8i2.151771

Nøgleord:

colonial photography, photographic event, colonial hierarchies, resistance, Nuuk, carnival, Denmark

Resumé

The first Greenlandic photographer, John Møller, produced over 3000 images in the period 1889-1922. This article seeks to analyse and contextualise selected images from Møller’s practice. In doing so, the article explores the photographer’s agency on composition choices, power dynamics and colonial hierarchies. Furthermore, the article suggests that Møller, through counternarratives in his visual representations, unveils nuanced reflections of power dynamics and a subtle critique and resistance that served to undermine the Danish colonial authority in Greenland.

Downloads

Publiceret

2024-12-13

Citation/Eksport

Emtoft, N. V. H. (2024). Behind the Mask: Counternarratives in John Møller’s Photographs from Greenland, 1889-1922. Culture and History: Student Research Papers, 8(2), 54–79. https://doi.org/10.7146/chku.v8i2.151771