Showing Progress. Defining Self-tracking as an Aesthetic Audio-visual Genre

Authors

  • Tobias Raun
  • Michael Nebeling Petersen

DOI:

https://doi.org/10.2478/tjcp-2022-0004

Keywords:

YouTube, Self-tracking, Biomedicalization, Self-representation, Audio-visual genre

Abstract

This article analyses videos of men talking about and documenting their lack and growth of hair via Finasteride and Minoxidil. We explore these male self-representational videos on YouTube as a specific form of self-tracking enabled by the camera within a specific platformed environment. We argue that the camera is not solely a tool, but rather an aesthetic practice with performative effects. In other words, self-tracking must be understood as always already entangled in and inseparable from mediating and aesthetic processes. The article then outlines the main characteristics of self-tracking videos as a self-representational audio-visual genre, defining them as momental videos and longitudinal videos. It is our claim that these defining characteristics constitute the central aesthetic principles of Finasteride and Minoxidil self-tracking videos, but that they are also applicable to other forms of videos preoccupied with representing and tracking transformation.

Downloads

Published

2024-07-12

How to Cite

Raun, T., & Nebeling Petersen, M. (2024). Showing Progress. Defining Self-tracking as an Aesthetic Audio-visual Genre. Conjunctions. Transdisciplinary Journal of Cultural Participation, 9(1), 1–16. https://doi.org/10.2478/tjcp-2022-0004

Issue

Section

Peer Reviewed Research Articles: Open Section