Showing Progress. Defining Self-tracking as an Aesthetic Audio-visual Genre
DOI:
https://doi.org/10.2478/tjcp-2022-0004Keywords:
YouTube, Self-tracking, Biomedicalization, Self-representation, Audio-visual genreAbstract
This article analyses videos of men talking about and documenting their lack and growth of hair via Finasteride and Minoxidil. We explore these male self-representational videos on YouTube as a specific form of self-tracking enabled by the camera within a specific platformed environment. We argue that the camera is not solely a tool, but rather an aesthetic practice with performative effects. In other words, self-tracking must be understood as always already entangled in and inseparable from mediating and aesthetic processes. The article then outlines the main characteristics of self-tracking videos as a self-representational audio-visual genre, defining them as momental videos and longitudinal videos. It is our claim that these defining characteristics constitute the central aesthetic principles of Finasteride and Minoxidil self-tracking videos, but that they are also applicable to other forms of videos preoccupied with representing and tracking transformation.
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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.