Streaming media

Andersen, M. M. T. (2019). DR3 og det kreative pres. PhD dissertation. Aarhus University: AU Library/AU Fællestrykkeriet. https://doi.org/10.7146/aul.328.222

Bergström, A., & Höglund, L. (2020). E-books: In the shadow of print. Convergence: The International Journal of Research into New Media Technologies, 26(4), 895–911. https://doi.org/10.1177/1354856518808936

Berry, R. (2016). Podcasting: Considering the evolution of the medium and its association with the word ‘radio’. Radio Journal, 14(1), 7–22. https://doi.org/10.1386/rjao.14.1.7_1

Bruun, H. (2020). Re-scheduling Television in the Digital Era: Routledge. https://doi.org/10.4324/9780429276309

Burkey, M. (2013). Audiobooks for Youth: A Practical Guide to Sound Literature (1st ed.). Chicago: American Library Association.

D’Arma, A., Raats, T., & Steemers, J. (2021). Public service media in the age of SVoDs: A comparative study of PSM strategic responses in Flanders, Italy and the UK. Media, Culture & Society, 43(4), 682-700. https://doi.org/10.1177/0163443720972909

Danske Forlag. (2021). Danske Forlag 2020. Retrieved April 27, 2021 from https://danskeforlag.dk/media/2122/danskeforlag2020.pdf

Drott, E. (2018). Why the next song matters: Streaming, recommendation, scarcity. Twentieth-Century Music, 15(3), 325–357. https://doi.org/10.1017/s1478572218000245

Enli, G., & Syvertsen, T. (2016). Th e end of television—again! How TV is still infl uenced by cultural factors in the age of digital intermediaries. Media and Communication, 4(3), 142-153. https://doi.org/10.17645/mac.v4i3.547

Eriksson, M., Fleischer, R., Johansson, A., Snickars, P., & Vonderau, P. (2019). Spotify Teardown: Inside the Black Box of Streaming Music. Cambridge, Massachusetts: MIT Press. https://doi.org/10.7551/mitpress/10932.001.0001

Evens, T., & Donders, K. (2018). Platform Power and Policy in Transforming Television Markets. New York: Palgrave Macmillan. https://doi.org/10.1007/978-3-319-74246-5

Guarriello, N. B. (2019). Never give up, never surrender: Game live streaming, neoliberal work, and personalized media economies. New Media & Society, 21(8), 1750–1769. https://doi.org/10.1177/1461444819831653

Hagen, A. N. (2015). Th e playlist experience: Personal playlists in music streaming services. Popular Music and Society, 38(5), 625–645. https://doi.org/10.1080/03007766.2015.1021174

Have, I., & Pedersen, B. S. (2015). Digital Audiobooks: New Media, Users, and Experiences. New York: Routledge. https://doi.org/10.4324/9781315743080

Herbert, D., Lotz, A. D., & Marshall, L. (2019). Approaching media industries comparatively: A case study of streaming. International Journal of Cultural Studies, 22(3), 349–366. https://doi.org/10.1177/1367877918813245

Johnson, C. (2019). Online TV. London; New York: Routledge. https://doi.org/10.4324/9781315396828

Johnson, D. (2018). From Networks to Netfl ix : A Guide to Changing Channels. New York, NY: Routledge. https://doi.org/10.4324/9781315658643

Johnson, M. R., Carrigan, M., & Brock, T. (2019). Th e imperative to be seen: Th e moral economy of celebrity video game streaming on Twitch.tv. First Monday, 24(8). https://doi.org/10.5210/fm.v24i8.8279

Lobato, R. (2018). Netfl ix Nations: Th e Geography of Digital Distribution. New York: New York University Press.

Lotz, A. D. (2014). Th e Television Will Be Revolutionized (2nd ed.). New York: New York University Press.

Lotz, A. D. (2017). Portals: A Treatise on Internet-Distributed Television. Michigan: Michigan Publishing. https://doi.org/10.3998/mpub.9699689

Lowe, G. F., Van den Bulck, H., & Donders, K. (2018). Public Service Media in the Networked Society. Gotheburg: Nordicom.

Lüders, M. (2020). Ubiquitous tunes, virtuous archiving and catering for algorithms: the tethered aff airs of people and music streaming services. Information, Communication & Society. Advance online publication. https://doi.org/10.1080/1369118X.2020.1758742

Lüders, M. & Sundet, V. S. (2021). Conceptualizing the experiential aff ordances of watching online TV. Television & New Media. Advance online publication. https://doi.org/10.1177/15274764211010943

Maasø, A., & Hagen, A. N. (2020). Metrics and decision-making in music streaming. Popular Communication, 18(1), 18–31. https://doi.org/10.1080/15405702.2019.1701675

Matthew, J. R. (2020). Netfl ix and the design of the audience. MedieKultur: Journal of Media and Communication Research, 36(69), 52-70. https://doi.org/10.7146/mediekultur.v36i69.121223

Plothe, T., & Buck, A. M. (2019). Netfl ix at the Nexus: Content, Practice, and Production in the Age of Streaming Television. Bern, Switzerland: Peter Lang. https://doi.org/10.3726/b14725

Prey, R. (2018). Nothing personal: Algorithmic individuation on music streaming platforms. Media, Culture & Society, 40(7), 1086–1100. https://doi.org/10.1177/0163443717745147

Ramsey, P. (2018). ‘It could redefi ne public service broadcasting in the digital age’: Assessing the rationale for moving BBC Th ree online. Convergence: Th e International Journal of Research into New Media Technologies, 24(2), 152-167. https://doi.org/10.1177/1354856516659001

Rubery, M. (2011). Audiobooks, Literature, and Sound Studies. New York: Routledge. https://doi.org/10.4324/9780203818039

Saabye, S. N. (2020). Podcastlytteren som hverdagskurator: En undersøgelse af podcastlytning som praksisfænomen i hverdagen. Aarhus: Aarhus University.

Siles, I., Segura-Castillo, A., Sancho, M., & Solís-Quesada, R. (2019). Genres as social aff ect: Cultivating moods and emotions through playlists on Spotify. Social Media + Society, 5(2). https://doi.org/10.1177/2056305119847514

Sjöblom, M., & Hamari, J. (2017). Why do people watch others play video games? An empirical study on the motivations of Twitch users. Computers in Human Behavior, 75, 985–996. https://doi.org/10.1016/j.chb.2016.10.019

Spilker, H. S., Ask, K., & Hansen, M. (2020). Th e new practices and infrastructures of participation: How the popularity of Twitch.tv challenges old and new ideas about television viewing. Information, Communication & Society, 23(4), 605–620. https://doi.org/10.1080/1369118x.2018.1529193

Spilker, H. S., & Colbjørnsen, T. (2020). Th e dimensions of streaming: Toward a typology of an evolving concept. Media, Culture & Society, 42(7–8), 1210–1225. https://doi.org/10.1177/0163443720904587

Spinelli, M., & Dann, L. (2019). Podcasting: Th e Audio Media Revolution (1st ed.). London: Bloomsbury Publishing Plc. https://doi.org/10.5040/9781501328671

Syvertsen, T., Enli, G., Mjøs, O. J., & Moe, H. (2014). Th e Media Welfare State : Nordic Media in the Digital Era. Ann Arbor Michigan: Th e University of Michigan Press. https://doi.org/10.3998/nmw.12367206.0001.001

Sørensen, I. E. (2014). Channels as content curators: Multiplatform strategies for documentary film and factual content in British public service broadcasting. European Journal of Communication, 29(1), 34-49. https://doi.org/10.1177/0267323113504856

Taylor, T. L. (2018). Watch Me Play: Twitch and the Rise of Game Live Streaming. Princeton, New Jersey: Princeton University Press. https://doi.org/10.1515/9780691184975

Thompson, J. B. (2012). Merchants of Culture : Th e Publishing Business in the Twenty-First Century (2nd ed.). Cambridge, United Kingdom: Polity Press.

Van den Bulck, H., & Moe, H. (2018). Public service media, universality and personalisation through algorithms: Mapping strategies and exploring dilemmas. Media, Culture & Society, 40(6), 875–892. https://doi.org/10.1177/0163443717734407

Wallin, E. T., & Nolin, J. (2020). Time to read: Exploring the timespaces of subscription-based audiobooks. New Media & Society, 22(3), 470–488. https://doi.org/10.1177/1461444819864691

Wayne, M. L. (2018). Netfl ix, Amazon, and branded television content in subscription video on-demand portals. Media, Culture & Society, 40(5), 725–741. https://doi.org/10.1177/0163443717736118

Werner, A. (2020). Organizing music, organizing gender: Algorithmic culture and Spotify recommendations. Popular Communication, 18(1), 78–90. https://doi.org/10.1080/15405702.2020.1715980

Woodcock, J., & Johnson, M. R. (2019). Th e aff ective labor and performance of live streaming on Twitch.tv. Television & New Media, 20(8), 813–823. https://doi.org/10.1177/1527476419851077

Woods, F. (2018). Youth television and platform neutral public service broadcasting. In D. Johnson (Ed.), From Networks to Netfl ix: A Guide to Changing Channels (pp. 297–307). London: Routledge.