Teatro para discutir los movimientos sociales
DOI:
https://doi.org/10.7146/dl.v17i25.112914Keywords:
Education, Theatre, Aesthetic of Ginga, Border Pedagogy, Landless Movement, ArtsAbstract
The Nucleus of Arts, Languages and Subjectivities (NALS), located at
Education Faculty, in the Federal University from Pelotas (UFPEL),
Southern Brazil, develops many activities in education, extension, and
research. The Project “Landless Daisies” consists in the production of a
theatre play with students from post-graduation and graduation together
with some artists in the city Pelotas/RS, Southern Brazil. The playwriting
tells about life histories and reports from women who are from the Landless
Movement, in Brazil. The main focus of interest of this play shows the
importance of women in this Movement and gender discussions in general
society. The NALS develops its activities based on principles of Border
Pedagogy and Aesthetic of Ginga. By doing works based on these
principles, the members of the NALS can put on a practical level what is
indicated in the theoretical presuppositions.
References
Petrópolis/RJ: Vozes.
Benjamin, Walter. (2012). Obras Escolhidas I. Magia e Técnica, Arte
e Política, Ensaios Sobre Literatura e História da Cultura. São
Paulo: Brasiliense
Boal, Augusto. (1998). Jogos para Atores e Não Atores. 14 ed. Rio
de Janeiro: Civilização Brasileira
Bussoletti, Denise Marcos. (1997). Mulheres sem terra: Identidade
em representação. [Dissertação de mestrado]. Programa de Pós-
Graduação em Psicologia, Pontifícia Universidade Católica do
Rio Grande do Sul, Porto Alegre, RS
Bussoletti, Denise Marcos. (2010). Margaridas sem terra, identidade
em representação. Pelotas: Editora Universitária/UFPel
Bussoletti, Denise Marcos; Vargas, Vagner. (2012). Leituras em
dramaturgia teatral para a diversidade. Pelotas: Editora
Universitária/UFPel
Bussoletti, Denise Marcos; Vargas, Vagner de Souza. (2013). Art and
Aesthetics of Ginga: Boundary for the Future in the In-Between
Places of Diversity. Global Journal of Human Social Science.
Arts & Humanities. 13(04): 01-09
Bussoletti, Denise Marcos; Vargas, Vagner de Souza. (2014a). Por
Entre Fronteiras de Uma Pedagogia que Pauta a Educação Pelas
Artes Gingando Saberes e Práticas Populares. Revista
Extraprensa, 1(14): 41-48
Bussoletti, Denise Marcos; Vargas, Vagner de Souza; Krüger, Luana
de Carvalho. (2014b). The Daily Masks and Socially Sensitive
Identity: An Ethical and Aesthetical Proposal for Education in
Brazil. Journal of Art for Life, 6(1): 1-8
Ferracini, Renato. (2003). A arte de não interpretar como poesia
corpórea do ator. Campinas/SP: Editora da Unicamp
Giroux, Henry. Border crossing.(1992). Nova York e Londres,
Routledge.
Jacques, Paola. (2003). Estética da Ginga: A Arquitetura das Favelas
Através da Obra de Hélio Oiticica. Rio de Janeiro: Casa da Palabra
McLaren, Peter. (1999). Multiculturalismo crítico. São Paulo: Cortez
Rosenfeld, Anatol. (2012). Brecht e o teatro épico. São Paulo:
Perspectiva
Stedile, João Pedro. FERNANDES Bernardo Mançano. (2005).
Brava Gente: A Trajetória do MST e a Luta Pela Terra no Brasil.
São Paulo: Fundação Perseu Abramo.
Vargas, Vagner; Bussoletti, Denise Marcos. (2012). Teatro Sem
Fronteiras. Expressa Extensão. Pelotas: Editora e Gráfica
Universitária UFPEL. Edição especial, pp. 43-57.
Vargas, Vagner de Souza; Bussoletti, Denise Marcos. (2014). Texto e
Contexto: Dramaturgia Teatral, Educação e Diversidade. Revista
Querubim, ano 10, 2 (22): 115-121.
Downloads
Published
How to Cite
Issue
Section
License
Counting from volume 31 (2022), articles published in Diálogos Latinoamericanos are licensed under CC-BY 4.0. Read more about the license terms here https://creativecommons.org/licenses/by/4.0/.
No Creative Commons license applied on volumes 1-30. All rights reserved by the authors. Readers may download, read, and link to the articles, but they cannot republish the articles.
With the publication of volume 31 (2022), authors retain the full copyright to their articles and give Diálogos Latinoamericanos the right to the first publication. Authors also retain copyright to earlier versions of manuscripts, such as the submitted (pre-print) and the accepted manuscript (post-print).
Copyright to articles published in volumes 1-30 is held by the authors.