@article{Hoogland_2018, title={What Do Theatre Autobiographies Conceal?}, volume={29}, url={https://tidsskrift.dk/nts/article/view/103309}, DOI={10.7146/nts.v29i1.103309}, abstractNote={<p>Autobiographies by actors and directors are considered to be somewhat of an unreliable source of information where research on theatre history is concerned. Researchers have made a great deal of effort to validate facts in autobiographies, but then have often neglected other forms of information that the written source gives. In this article, four different autobiographies are analysed with a specific focus on autobiographical strategies (Gardner), the embodied act of writing (Schneider), Hegemonic processes in society (Bratton), and audiences (Singleton). The article discusses if it is possible to place autobiographies in both the repertoire and the archive in Taylor’s sense, and if they can be seen as a possible link between them.</p>}, number={1}, journal={Nordic Theatre Studies}, author={Hoogland, Rikard}, year={2018}, month={Jan.}, pages={64–80} }