EDHOLM, R. FAMILY FRAMING AND THE COMEDY OF CONVENTIONS IN RUBEN ÖSTLUND’S FORCE MAJEURE. The Nordic Journal of Aesthetics, [S. l.], v. 27, n. 55-56, p. 116–133, 2018. DOI: 10.7146/nja.v27i55-56.110722. Disponível em: https://tidsskrift.dk/nja/article/view/110722. Acesso em: 8 dec. 2021.