Gerrard Winstanleys ikonoklasme som immanent utopi

Resumé

GERRARD WINSTANLEY’S ICONOCLASM AS IMMANENT UTOPIA | In this article I analyse the utopian discourse of Gerrard Winstanley as an example of how utopia functions as a social fiction. Winstanley was part of the radical Digger movement in the English Revolution in the mid-17th century, and he has been regarded both as a religious mystic and as a precursor of later communist thinkers. His last published text, The Law of Freedom in a Platform (1652), presents an egalitarian utopian program based on democracy and collective ownership of land. It has been argued
that this text represents a break from Winstanley’s earlier religious and political writings because of its focus on the institutional framework of the proposed utopian model. I argue, however, that it is generally more productive to focus on the function of utopia and to see utopia as both a figurative and conceptual discourse which combines a deconstruction of ideological contradictions with a production of new sociopolitical representations. This approach allows us to analyse how Winstanley creates a utopian discourse based on a “materialistic” iconoclasm which produces a dynamic, immanent utopia. Rather than being a totalitarian vision, as some have argued, Winstanley’s egalitarian and immanent utopia dismantles the distinction between state and society. Utopia should be seen as a discourse which, through its use of sociopolitical fictions, is able to bring out different sociopolitical dimensions
and potentials of a specific historical conjuncture by articulating the non-realized futures of history.