Browse Title Index


 
Issue Title
 
Vol 29, No 1 (2017): Turning Points and Continuity. Reformulating Questions to the Archives Activating Dance Records. Conceptualizing research into the Swedish, Nordic and global archives pertaining to the Russian dancer Anna Robenne Abstract   PDF
Astrid von Rosen
 
Vol 27, No 2 (2015): Mapping Theatre Activating Imaginative Attention and Creating Observant Moments in the Everyday Through the Art of Walking Abstract   PDF
Cecilia Lagerström
 
Vol 29, No 1 (2017): Turning Points and Continuity. Reformulating Questions to the Archives Affective Economies in the Tug of War between Idealism and Anti-idealisms. Reviewers’ reactions to Anne Charlotte Leffler’s Sanna kvinnor (True Women) Abstract   PDF
Birgitta Johansson Lindh
 
Vol 27, No 1 (2015): Theatre and the Nomadic Subject Antigone’s Diary – Young Audiences as Co-creators of GPS-guided Radio Drama Abstract   PDF
Manilla Ernst, Willmar Sauter
 
Vol 26, No 2 (2014): Theatre and Technology Bent Holm: Holberg på tværs: Fra forskning til forestilling Details   PDF
Knut Ove Arntzen
 
Vol 28, No 1 (2016): Crossing Borders Beyond the Gaze. Translations as a Norm-Critical Praxis in Theatre for Children and Young. Abstract   PDF
Anna Lundberg
 
Vol 28, No 1 (2016): Crossing Borders Book Review: Giuliano D'Amico: “Domesticating Ibsen for Italy: Enrico and Icilio Polese's Ibsen Campaign”. Bari: Edizione di Pagina, 2013, 358 pages. Details   PDF
Pirkko Koski
 
Vol 28, No 2 (2017): Theatre and Language Book review: S. E. Wilmer, Audronė Žukauskaitė (eds.) Deleuze and Beckett Details   PDF
Jurate Baranova
 
Vol 27, No 1 (2015): Theatre and the Nomadic Subject Centripetal Force of locus: Dilemmas of Nomadism in Contemporary Lithuanian Artistic Practices Abstract   PDF
Martynas Petrikas
 
Vol 27, No 1 (2015): Theatre and the Nomadic Subject Challenging the Centre: Asylum Seekers Encounter Native Citizens Abstract   PDF
Pirkko Koski
 
Vol 28, No 2 (2017): Theatre and Language Cross-cultural Theatre Education: Rehearsals and Performance. English as Lingua Franca, rewriting process, and poly-glottal text in psycho-physical acting practice Abstract   PDF
Lars Henning
 
Vol 28, No 1 (2016): Crossing Borders Crossing Borders, Introduction Details   PDF
Mikko-Olavi Seppälä
 
Vol 28, No 1 (2016): Crossing Borders Cultural Encounters in Modern Productions of Greek Tragedy Abstract   PDF
S.E. Wilmer
 
Vol 28, No 2 (2017): Theatre and Language Dancing with the Dragon: Orality and (body) language(s) in a live performance of Beowulf Abstract   PDF
Jeff Kaplan
 
Vol 29, No 1 (2017): Turning Points and Continuity. Reformulating Questions to the Archives Deconstructing Turning Points. A postscript on the canonization of the avant-garde 1900 Abstract   PDF
Willmar Sauter
 
Vol 27, No 2 (2015): Mapping Theatre Do You Feel the Same? Different Dominants of Theatrical Experience Abstract   PDF
Heli-Liis Toome
 
Vol 29, No 1 (2017): Turning Points and Continuity. Reformulating Questions to the Archives Editor’s Introduction. Turning Points and Continuity: Reformulating questions to the archives Details   PDF
Erik Mattsson
 
Vol 29, No 1 (2017): Turning Points and Continuity. Reformulating Questions to the Archives Embodied Spectatorship? Interpreting dance reviews around 1900 Abstract   PDF
Lena Hammergren
 
Vol 28, No 1 (2016): Crossing Borders Entertainment as a Complex Form of Communication. Two Examples of Hemsöborna. Abstract   PDF
Mikael Strömberg
 
Vol 28, No 1 (2016): Crossing Borders Expanding the Canon, Creating Alternative Knowledge, Marketing the Field? Performance Practices in Theatre Studies Abstract   PDF
Meike Wagner
 
Vol 26, No 2 (2014): Theatre and Technology Finnish Theatre Photography and the Influence of Technology Abstract   PDF
Susanna Virkki
 
Vol 26, No 2 (2014): Theatre and Technology From Candle Light to Contemporary Lighting Systems: How Lighting Technology Shapes Scenographic Practices Abstract   PDF
Laura Gröndahl
 
Vol 27, No 1 (2015): Theatre and the Nomadic Subject From “rooted out” to “rootless”: Images of Emigration in Lithuanian Drama Abstract   PDF
Rūta Mažeikienė
 
Vol 28, No 1 (2016): Crossing Borders Geographies of Theatre: the Finnish National Theatre in Stockholm in 1956 Abstract   PDF
Hanna Korsberg
 
Vol 29, No 1 (2017): Turning Points and Continuity. Reformulating Questions to the Archives History Repeating Itself. The function of turning points and continuity in three historical narratives on operetta Abstract   PDF
Mikael Strömberg
 
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