Film archives and digital humanities – an impossible match? New job descriptions and the challenges of the digital era
Th is article seeks to prompt a re-evaluation of the film archive's role within the current digital humanities debate as a logical, yet underrated, partner. The article invokes Jeffrey Schnapp’s and Todd Presner's plea from 2009 for digital humanities to create as its core aim a more democratic view of knowledge-producing institutions by including non-university research institutions as well as archives and museums. Archives, on the other hand, currently face the crucial challenge of how to digitise and present their collections online while struggling with rising related costs and having to redefi ne their mission as heritage keepers for often unique analogue material. The potential options for future collaboration between film archives and digital humanists as well as film scholars will also be discussed in this paper through an examination of the current situation.
How to Cite
Articles submitted to MedieKultur should not be submitted to or published in other journals. Articles published in MedieKultur may be used (downloaded) and reused (distributed, copied, cited) for non-commercial purposes with reference to the authors and publication host.
The authors and MedieKultur own the copyright to the published articles and reviews.