https://tidsskrift.dk/classicaetmediaevalia <p><em>&nbsp;</em></p> Societas Danica Indagationie Antiqvitatis Et Medii Aevi en-US Classica et Mediaevalia 0106-5815 <p>Authors who publish with this journal agree to the following terms:</p> <ol> <li>Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a&nbsp;<a href="https://creativecommons.org/licenses/by/3.0/">Creative Commons Attribution License</a>&nbsp;that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.</li> <li>Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.</li> <li>Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (see&nbsp;<a href="http://opcit.eprints.org/oacitation-biblio.html">The Effect of Open Access</a>).</li> </ol> https://tidsskrift.dk/classicaetmediaevalia/article/view/132233 <div class="page" title="Page 1"> <div class="layoutArea"> <div class="column"> <p>Claudian’s colourful images have often been studied for their decorative func- tion and as examples of late-antique fragmentary style. More recent scholarship, instead, has proposed that colouring provides coherence to the text through its symbolic meanings. This article analyses the aesthetic and symbolic significance of colourful imagery by differentiating between the three main dimensions of colour: brightness, saturation and hue. The blossoming meadow of Claud. Rapt. Pros. 2.90-132 is an ideal case study: a focus on all three colour components highlights that the formal choices and the symbolic meanings are not opposite or separate, but parallel in their fragmentary coherence, and each important for the interpretation of the text. Both the visual effects and the metaphoric charge of Claudian’s colourful flowers undermine the idyllic atmosphere of the meadow and foreshadow Proserpina’s abduction.</p> </div> </div> </div> Beatrice Bersani Copyright (c) 2022 Beatrice Bersani https://creativecommons.org/licenses/by/3.0/ 2022-04-04 2022-04-04 71 1 21