Tidsskriftet SANG https://tidsskrift.dk/SANG <p class="font_7">SANG er et netbaseret tidsskrift for sang og sangkultur i Danmark og Skandinavien. Tidsskriftet formidler viden og dialog om sang i alle afskygninger og set fra forskellige faglige vinkler.</p> Foreningen tidsskriftet SANG da-DK Tidsskriftet SANG 2597-0518 <p><span style="font-weight: 400;">Tidsskriftet SANG udgives efter </span><a href="https://www.jisc.ac.uk/guides/an-introduction-to-open-access"><span style="font-weight: 400;">modellen “diamond” open access</span></a><span style="font-weight: 400;">. Dette betyder, at tidsskriftet tillader sine forfattere at arkivere deres egen artikel i åbne institutionelle arkiver (egenarkivering) eller på eget eller arbejdsgivers netsted i den version og det format, som er blevet godkendt af tidsskriftets redaktion (den accepterede version, opsat i tidsskriftets format i pdf), efter at artiklen er blevet publiceret (uden forsinkelse).</span></p> <p><span style="font-weight: 400;">Tekster udgivet af SANG følger </span><a href="https://creativecommons.org/licenses/by-nc/4.0/"><span style="font-weight: 400;">Creative Commons licens BY-NC</span></a><span style="font-weight: 400;">. Dette betyder at, du har frihed til at:</span><span style="font-weight: 400;"><br /></span><span style="font-weight: 400;"><br /></span><span style="font-weight: 400;">- Dele — kopiere og redistribuere materialet via ethvert medie eller format </span><span style="font-weight: 400;"><br /></span><span style="font-weight: 400;">- Tilpasse — remixe, transformere og bygge videre på materialet</span></p> <p><span style="font-weight: 400;">Licensgiveren kan ikke tilbagetrække disse friheder så længe du følger licensvilkårene:</span><span style="font-weight: 400;"><br /></span><span style="font-weight: 400;"><br /></span><span style="font-weight: 400;">- Kreditering — Du skal give passende kreditering, lave et link til licensen, og fortælle om eventuelle forandringer af værket. Det må du gøre på enhver fornuftig måde, men ikke tage hensyn til om licensholderen kan godkende din anvendelse. </span><span style="font-weight: 400;"><br /></span><span style="font-weight: 400;">- Ikke-kommercielt brug — Du må ikke bruge materialet til kommercielle formål. </span></p> <p><span style="font-weight: 400;">Ingen yderligere begrænsninger — Du må ikke tilføje juridiske termer eller teknologiske tiltag som juridisk forhindrer andre i at gøre hvad licensen tillader</span><strong>.</strong></p> Fellessang som kampmiddel i arbeiderbevegelsen, den syngende revolusjon og fotballens tribunesang https://tidsskrift.dk/SANG/article/view/137246 Gjermund Kolltveit Copyright (c) 2023 https://creativecommons.org/licenses/by-nc/4.0 2023-06-07 2023-06-07 4 1 12 10.7146/sang.v4i.137246 Morgensangens fællesskabende kraft hos højskoleelever https://tidsskrift.dk/SANG/article/view/140368 Hjalte Hviid Mikkelsen Copyright (c) 2023 https://creativecommons.org/licenses/by-nc/4.0 2023-09-05 2023-09-05 4 1 8 10.7146/sang.v4i.140368 Anmedelse af Varm op: En håndbog om koropvarmning, stemmetræning og sang i fællesskab https://tidsskrift.dk/SANG/article/view/139802 Frieda Funk Copyright (c) 2023 https://creativecommons.org/licenses/by-nc/4.0 2023-07-31 2023-07-31 4 1 3 10.7146/sang.v4i.139802 Anmeldelse af Flytsoner: Studiar i flow og rap-lyrikk https://tidsskrift.dk/SANG/article/view/140895 Troels Obbekær Copyright (c) 2023 Troels Obbekær https://creativecommons.org/licenses/by-nc/4.0 2023-12-22 2023-12-22 4 1 6 Lad os alle synge! https://tidsskrift.dk/SANG/article/view/140097 <p><strong>Let Us All Sing!<br />An Investigation of Metareferentiality in Hymn Singing from an Intermedial Perspective</strong></p> <p style="font-weight: 400;">A number of hymns in The Danish Hymnal thematize the act of singing hymns together, thus incorporating a metareferential dimension. This article examines the significance and impact of this metareferentiality on the analysis of such hymns and for the understanding of the social context and practices they are embedded in.</p> <p style="font-weight: 400;">The theoretical framework for examining metareferentiality within a musical context is based on Werner Wolf’s definition, which characterizes metareferentiality as a form of self-reference that implies a reflection on the work’s media per se. It is argued that when applied to hymns and songs, this definition must be complemented with Lea Wierød Borčak’s view of hymns as both an emergent intermedial fusion of text and music and as a social practice.</p> <p style="font-weight: 400;">Building on this theoretical point of departure, this article analyzes the metareferential hymn ”Guds Menighed, syng for vor Skaber i Løn” (1847) written by N. F. S. Grundtvig. The analysis investigates the influence of metareferentiality on both the internal meaningmaking of the hymn and the social practice by exploring the connection between the hymn and the folk song ”Harpens Kraft”, to which the text is set. I show that the metareferentiality is closely linked to the emergent intermedial and social character of the hymn, as the metareferences are only actualized through a concrete, situated act of singing.</p> <p style="font-weight: 400;">Finally, the article discusses the function of metareferentiality in a wider context, where it can be seen as compensatory for absence or social uncertainty. In a historical context, this may add interesting perspectives on N. F. S. Grundtvig’s ideas, where metareferential hymns may be viewed as concrete tools for strengthening communal singing. These insights open a discussion about the inclusive and exclusive effects of communal singing.</p> Jakob Kjær Bødker Copyright (c) 2023 https://creativecommons.org/licenses/by-nc/4.0 2023-08-17 2023-08-17 4 1 22 10.7146/sang.v4i.140097